Tag Archives: Glass Art

An Object Disposition

http://www.travergallery.com/search_all.aspx?da=search&searchInput=stern2012

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///Duality/// Nancy Callan and Ethan Stern at Hawk Gallery March 31st

On March 26th I will be heading to Danville, Kentucky to be a visiting artist at Centre College with my friend Stephen Rolfe Powell and his kick ass students. Check out a great video about Stephen.  After that, its on to Columbus, Ohio with Nancy Callan for the Opening at Hawk Gallery on the 31st.  Dont miss it. After the opening and demo at Glass Axis on Saturday, Nancy and I will head up to Toledo for a week long residency at the Toledo Art Museum, Glass Pavilion. Wow, out and about again! You can check out some of the new work that will be in the show here.

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Neo-Plasticism, De Stijl and its contemporary influences.

Loving this Article on the Contemporist Icon Blog!

http://www.contemporisticon.com/neo-plasticism-de-stijl/

 

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Inky

Inky Dali.jpgInky Aqua II.jpgInky Aqua.jpgInky Camo.jpgInky Algae.jpg

All content © ESD 2012
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77 Elements of a practical and stylish Seattle life @SeattleMet

 

And guess what! My work is one of them, so you better go get you some.

Check out this new article in Seattle Metropolitan Magazine’s November issue. My work “Grain Bowl” is featured in a shopping guide on page 86. The issue has not come out on line yet, but when it does check it out here or follow @SeattleMet on twitter. Thanks to Vetri Gallery for putting the work out there and congrats to my local cohorts Hugh Willa and power team Jeremy Newman and Allison Ciancibelli for making great work! And remember…. If the magazine tells you to buy it, you probably should.

 

 

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////Glass Town USA + say bye bye to the viaduct////

With SOFA Chicago right around the corner, there is certainly a buzz among the locals (glass artists that is) about the show in Chicago on Nov 4th. Around this time everybody is busy getting work photographed, packed up and shipped off to the windy city for the biggest Sculptural Objects and Functional Art show in the country. Everybody likes to speculate on the climate of the show and how powerful sales will be this year. Well from what I have heard, so far… so good. I have been graced with some pre-show sales (In Urbanism, at left) and lots of positive feedback about the new work!

 

 

With that in mind I wanted to tell you about this great new blog that a friend of mine; Grace Meils has been writing about Seattle glass. Grace has had a much respected voice in the community for a long time and has worked for many arts organizations including Pratt Fine Art Center, Pilchuck Glass School and the Traver Gallery for which she is currently a gallery director.

The blog is called Glass Town USA  and its provided a much need fresh perspective into the eclectic glass community here in Seattle.  So check it out often!

 

Oh yeah and …… This is going on right outside the Bemis building.

I took these pictures from the front door. The Alaskan Way Viaduct, build in the 1950′s has met its match. Most thought us thought it would be a giant earthquake that would take the elevated highway down, but the bulldozers got there first. April actually made a piece about it once. It was called ” An afternoon with Ethan”

 

Were gonna miss it (I think).

There is something about its dirtiness, its concrete legs and the view, OMG the view driving down that highway on a sunny summer day (one of three we usually have) was amazing. Seeing the Olympic Mountains towering over Puget Sound to the west and the Seattle skyline to the east just made you feel like everything you were going places (which you were because you had to be driving to see that view). Bye Bye Viaduct, your future friend the deep bore tunnel will most certainly not have as much street cred as you did. We will miss you.

Posted in April Surgent, friends, inspiration, New Work, Pilchuck, SOFA, travel, Uncategorized | Also tagged , , , , , , , 1 Comment

////// new work ////// Inky ‘s, Coastline’s and Future Forward

Here’s some new work, most of which is going to SOFA Chicago November 4th!

Green Coastline[web].jpgc4-Green Coastline detail[web].jpgAxis Coastline [web]sm.jpgAxis Coastline detail [web].jpgBrulee[web].jpgBrulee detail[web].jpgCumin Coastline[web].jpgCumin Coastline detail[web].jpgInky Camo[web].jpgInky Algae[web].jpgInky Aqua[web].jpg

Future Forward 2[web].jpgFuture Forward 2nd web.jpgFuture Forward 3[web].jpg

All photographs by Russell Johnson.

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///Summer Re-Cap///

Its been a crazy one!

From my residency at TMOG in May :

 

Once June hit I was off and running. With the GAS conference here in Seattle this year we saw an influx of hundreds of glass makers from all over the world converge on the emerald city for a weekend, networking, lecturing, flexing and partying like rock stars. What a blast!

The week after that, I flew to the Pittsburgh Glass Center to teach a week long workshop. The class at PGC was titled “Out of the round” and it was amazing.  With students from stateside and abroad it was the most challenging class I’ve taught to date due to the high skill level of the students. Instead of teaching them how to gather the glass, I was teaching them new ways to approach the entire blowing process.  Sculpting the bubble was priority number one and they all got down and dirty with paddles, corks and blow punties.

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After Pittsburgh I came back to Seattle and met up with my intern Kameron Robinson.  Kameron is a senior at Anderson University in Indiana.

He contacted me after I had visited his school and done some demos in the glass shop. He was interested in getting some experience in a professional artist studio. WOW! makes me feel legit.  This was my second time having a summer intern and I hope to continue next summer with someone new.

Kameron turned out to be a cold working machine and a hell of a guy. his first time west of the Missouri and he was loving summer in Seattle. The month of July flew by with Kameron and I working in the shop day in day out.

Thanks Kameron, you rock !

 

 

 

Once August hit I was off to Maine to the Haystack Mountain School of Craft to be a teaching assistant for my good friend and great artist Kait Rhoads. It was truly an amazing experience. I slept very little and blew glass alot. It was a cane and murrini class so we were pulling on the glass until the we hours of the night. The students were amazing and my fellow TA Zach Compton from Star, N.C. was the shit!

From Haystack I went straight to Pilchuck to be the Cold shop Cordinator for the fifth session of the summer. It was amazing! Lino Tagliapietra was there and I was lucky enough to be able to do some cold working for him. was I nervouse? Na…..not at all. He’s only the best glassblower alive today. Not to mention a very generous and wonderful man. April Surgent (my studio mate) was there teaching a class with her mentor and master engraver Jiri Harcuba for the Czech Republic. I will be posting a video of Jiri engraving a portrait of April soon on my blog and my youtube channel. I always have a blast at Pilchuck and I am so glad they ask me back every summer.

So now…finally I am back in the studio full time working on my next exhibition. This fall The Traver Gallery will be representing me at SOFA Chicago. It’s kind of a big deal and I’m really excited! They are only bringing four artists and the booth will be beautiful. So if you’re in Chicago November 3rd through the 6th come check it out.

Here is a couple shots of the work I am making for SOFA:

 

 

 

 

 

 

 

 

 

 

oh yeah and here’s my lunch:

Posted in April Surgent, coldworking, friends, Glass, Glass Blowing, Life, New Work, Pilchuck, SOFA, teaching, travel, Uncategorized, WWO | Also tagged , , , , , , , , , , , , , , , , , , Leave a comment

Always Drawing

Pushing form beyond the expected anatomy of the vessel, I use glass to investigate the emotive potential of objects. I begin each piece by creating a blown, geometric form composed of multiple layers of color and pattern. While blown glass typically reflects light and is shiny and dense in appearance, a richer, more luminous effect can be achieved by cutting into the surface after the piece has cooled. I spend the majority of my time creating patterns and textures from the simple shifts in hue, density and opacity, which are a result of the process of engraving. These engraved marks, like the stroke of a paintbrush on canvas, leave evidence of my hand and are intended to create an expressive sense of motion, rhythm, weight, and depth.

Glass is not a forgiving material. It demands an involved process and requires careful planning and manipulation. Engraving has become my voice within the medium, since it is the most direct way for me to leave my mark. My process of carving is a reductive one; I can’t add any material once it’s removed. This notion of continuously revealing layers pushes me to carefully consider each step and the choices that I make. Because of this, the process plays an important role in the development of each piece.

 

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At the most basic level, my work is an ongoing exploration of abstraction and the expressive qualities of form, color, texture and light, yet I am also very aware of how my physical surroundings influence how these qualities manifest in each piece. I live in an urban area and work in an industrial part of Seattle. I cannot help but allow the hue of the day and the contrast between the engineered and natural landscapes permeate my sense of beauty. Translating this information into my recent work has led to imagery and form inspired by design, architecture and the visual deconstruction of my surroundings.

 

 

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Future Forward

I recently finished some new wall pieces. These panels are made with layers of colored glass and cane that is blown into cylinders than cut and slumped open. This the same technique that has been used to make window glass since the renaissance. I blew the panels at the Tacoma Museum of Glass and then had them slumped open in a funky little factory here in Seattle called Fremont Antique Glass. Appearently this studio is the last place of its kind in the United States opening blown cylinders into sheet glass. Check out a video of the process here.

“Future Forward is cut with both diamond and stone wheels. The opaque black surfaces of the piece are carved using the stone which is the more traditional way of carving glass. The stone leaves a more polished mark than the diamonds that I most often use. I am attracted to the stone because of its sensitivity and its variation on the surface. It leaves a very subtle mark and has a grain unique to its process.

 

“Future Forward” 2011

37″w x 18″h x 2″d  Blown, slumped and engraved glass

 

“Above Behind” 2011

18″w x 36″h x 2″d  Blown, slumped and engraved glass

 

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Meet the Artist

A few weeks after the best residency I have every had, I have finally gathered a few images to post. The week was long but we got lots of work done. I will be cold working for the next few months, working towards a group show at the LewAllen Gallery in July and a show next spring in Colombus Ohio at the Hawk Gallery where I will be showing with one of my best friends, Nancy Callan.

Here is a link to a video interview produced by the Museum of Glass about my work.

 

The CrewDrawing 2Ethan and MannyDrawingCourtney Pulling CaneThe CaneRolling up Cane Rolling up Cane 1Rolling up Cane 2Rolling up Cane 3Rolling up Cane 4Twisting the CaneColor OverlayStuff the CupStuff another cupBlowing a CupMarveringBlow it up moreBlow it UpBlow it Up 2Sculpt the BubbleSculpt the Bubble 2Sculpt the Bubble 3Put a hole in the BottomTrim itClose the TopSculpt the ShapeSculpt the ShapeTorch the PuntiBox It!Color ChartGarage Chart

Also this week brings with it the onslaught of Glass makers from all over the world to the grey city of Seattle for the Glass Art Society Conference. And sorry my couch is already full.

 

 

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Museum of Glass

Photo Credit: Ken Emly


Today I began my 5 day residency at the The Museum of Glass in Tacoma Washington. I won this residency last fall after being rewarded the “Best Emerging Artist” award from the Museum’s Red Hot Auction. I have been greatly anticipating this experience and have lots of new ideas that I will be experimenting with. I will be working with the Museum’s team along with a few other artists from Seattle.

The Museum has live streaming of the hot shop that runs from 10-5 PST everyday.

You can watch us work by checking out  www.Museumofglass.org and clicking on the Live Glassblowing tab.

 

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